Tirador (Slingshot) – All the World Is Raving!
Tirador Philippine Gala Premiere
The UP Film Institute is most proud to hold the Philippine gala premiere of Brillante Mendoza’s Tirador (international title: Slingshot, 86 minutes) this Monday, 3 December 2007, at 7 p.m. as the opening film of Cine Veritas Human Rights Film Festival.
The film is the sixth feature in just three years from Brillante as practically all of his previous works have bagged major international prizes. Tirador had its world premiere at Toronto (Canada, 6-15 September 2007); was exhibited for the Dragons and Tigers Out-of-Competition at Vancouver (Canada, 27 September-12 October, 2007) and got its Asian premiere no less at Pusan, South Korea (Window on Asian Cinema, 4-12 October 2007). It is slated to date for further showcase across the globe till middle of next year in prestigious filmfests foremost of which are the Marrakech (Morocco, 7-15 December 2007) where it vies in main competition for the Golden Star Grand Prize and the 58th Berlin (Germany, 7-17 February 2008) for the International Forum of New Cinema.
The RP premiere of another homegrown exemplar of world-class cinema—tackling the interwoven tales of petty thieves in Quiapo—is a UP Film Institute exclusive not to be missed. Another of Brillante Mendoza’s body of work, Foster Child—the Director’s Fortnight entry at this year’s Cannes (France, 16-27 May 2007) on the state of foster care in the country—for its part screens on Dec 4 Tue at 5 p.m. to also comprise this year’s full selection for Cine Veritas that runs until December 8 Saturday.
HAVE A PEEK AT TIRADOR IN THE VERY WORDS THE WORLD OVER OF FILM PEOPLE VASTLY IN THE KNOW:
“…a take-no-prisoners verite plunge into a Manila slum. Furiously filmed on mobile digicam and with perfs that make the line between drama and documentary seem invisible…”—Richard Kuipers, Variety
“…what I loved the most at Toronto (is) “Slingshot” from the Philippines… a fast, harsh slice of life set among a group of Manila pickpockets. Brillante Mendoza directed it, and while his frantic, hand-held Paul Greengrass-inflected visual attack isn’t groundbreaking, the film heralds a strong new talent…Don’t knock documentary-style slices of life from Manila, especially when they’re as excitingly inhabited as “Slingshot.”—Michael Phillips, Chicago Tribune
“Rapidly emerging as an important new talent, young Filipino director Brillante Mendoza delivers his second feature of the year, a wickedly energetic portrait of Manila street life shot on the fly with a digital camera.”—JA, Eye Weekly, Toronto
“From the opening police raid to the closing political rally, director Mendoza takes his hand-held camera into the heart of Manila to create a remarkable, lively, intimate and realistic portrayal of life in a slum…Not one moment looks staged, and the cast performs flawlessly. Mendoza never plays to our sympathy or editorializes. He lets his stories tell themselves and weaves sharp social observation into his frantic and often funny action.”—Now Magazine
“…Superb drama “Slingshot”…makes the streets, alleys and crushing deprivations of Manila come to wrenching life. Shot like a mini-”Bourne” film with lightweight high-def video cameras, it darts from one acutely observed vignette to another…Some of the details break your heart, without the trappings or musical cues of melodrama.” —Michael Phillips, Chicago Tribune
“(The) biggest discovery of the (Vancouver film) festival… Mendoza’s most audacious inspiration is shooting the film on location during the election season, where the politicians have done his set dressing for him…(While) the title Slingshot…(is) a literal translation of the …street slang for thief, (it) is oddly appropriate for a film that moves with such whiplash momentum and (with) characters who rush and ricochet through their world…”—Sean Axmaker, Green Cine Daily Vancouver Dispatch
“Mendoza’s breathless account of desperate lives in the mean streets of Manila is a pummeling and visceral experience…A highly impressive technical exercise, yet at heart offers a penetrating glimpse into lives lived on instinct, predation, and reaction alone…”—Doug Cummings, Film Journey
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